Shakespeare and masculinity
Author(s)
Bibliographic Information
Shakespeare and masculinity
(Oxford Shakespeare topics / general editors, Peter Holland and Stanley Wells)
Oxford University Press, 2000
- : pbk
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Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780198711889
Description
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Richard III, Romeo, Prince Harry, Malvolio, Hamlet, Lear, Antony, Coriolanus, Prospero: Shakespeare's roster of male protagonists is astonishingly various. Shakespeare and Masculinity juxtaposes these memorable characters with the medical beliefs, ethical ideals, and social realities that shaped masculine identity for Shakespeare, as for his fellow actors and their audiences. At the same time it explores the process of male self-definition against various sorts of 'others' - women, foreigners, social inferiors, sodomites. Reflecting the truth that the plays' principal existence is in the live theatre, the book finishes with a transhistorical, multicultural survey of how masculinity has been performed in productions of Shakespeare's plays - in France, Germany, Hungary, Iraq, Japan, and elsewhere - and with a challenge to imagine masculinity in fuller and more satisfying ways.
Table of Contents
- List of Illustrations
- Introduction
- Persons
- Ideals
- Passages
- Others
- Coalescences
- Notes
- Suggestions for Further Reading
- Index
- Volume
-
: pbk ISBN 9780198711896
Description
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare.
Richard III, Romeo, Prince Harry, Malvolio, Hamlet, Lear, Antony, Coriolanus, Prospero: Shakespeare's roster of male protagonists is astonishingly various. Shakespeare and Masculinity juxtaposes these memorable characters with the medical beliefs, ethical ideals, and social realities that shaped masculine identity for Shakespeare, as for his fellow actors and their audiences. At the same time it explores the process of male self-definition against various sorts of 'others' - women,
foreigners, social inferiors, sodomites. Reflecting the truth that the plays' principal existence is in the live theatre, the book finishes with a transhistorical, multicultural survey of how masculinity has been performed in productions of Shakespeare's plays - in France, Germany, Hungary, Iraq, Japan, and
elsewhere - and with a challenge to imagine masculinity in fuller and more satisfying ways.
Table of Contents
- List of Illustrations
- Introduction
- Persons
- Ideals
- Passages
- Others
- Coalescences
- Notes
- Suggestions for Further Reading
- Index
by "Nielsen BookData"