Shakespeare and masculinity
著者
書誌事項
Shakespeare and masculinity
(Oxford Shakespeare topics / general editors, Peter Holland and Stanley Wells)
Oxford University Press, 2000
- : pbk
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注記
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780198711889
内容説明
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Richard III, Romeo, Prince Harry, Malvolio, Hamlet, Lear, Antony, Coriolanus, Prospero: Shakespeare's roster of male protagonists is astonishingly various. Shakespeare and Masculinity juxtaposes these memorable characters with the medical beliefs, ethical ideals, and social realities that shaped masculine identity for Shakespeare, as for his fellow actors and their audiences. At the same time it explores the process of male self-definition against various sorts of 'others' - women, foreigners, social inferiors, sodomites. Reflecting the truth that the plays' principal existence is in the live theatre, the book finishes with a transhistorical, multicultural survey of how masculinity has been performed in productions of Shakespeare's plays - in France, Germany, Hungary, Iraq, Japan, and elsewhere - and with a challenge to imagine masculinity in fuller and more satisfying ways.
目次
- List of Illustrations
- Introduction
- Persons
- Ideals
- Passages
- Others
- Coalescences
- Notes
- Suggestions for Further Reading
- Index
- 巻冊次
-
: pbk ISBN 9780198711896
内容説明
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare.
Richard III, Romeo, Prince Harry, Malvolio, Hamlet, Lear, Antony, Coriolanus, Prospero: Shakespeare's roster of male protagonists is astonishingly various. Shakespeare and Masculinity juxtaposes these memorable characters with the medical beliefs, ethical ideals, and social realities that shaped masculine identity for Shakespeare, as for his fellow actors and their audiences. At the same time it explores the process of male self-definition against various sorts of 'others' - women,
foreigners, social inferiors, sodomites. Reflecting the truth that the plays' principal existence is in the live theatre, the book finishes with a transhistorical, multicultural survey of how masculinity has been performed in productions of Shakespeare's plays - in France, Germany, Hungary, Iraq, Japan, and
elsewhere - and with a challenge to imagine masculinity in fuller and more satisfying ways.
目次
- List of Illustrations
- Introduction
- Persons
- Ideals
- Passages
- Others
- Coalescences
- Notes
- Suggestions for Further Reading
- Index
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