Readings in music and artificial intelligence
Author(s)
Bibliographic Information
Readings in music and artificial intelligence
(Contemporary music studies, v. 20)
Harwood Academic, c2000
Available at 4 libraries
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
The interplay between emotional and intellectual elements feature heavily in the research of a variety of scientific fields, including neuroscience, the cognitive sciences and artificial intelligence (AI). This collection of key introductory texts by top researchers worldwide is the first study which introduces the subject of artificial intelligence and music to beginners. Eduardo Reck Miranda received a Ph.D. in music and artificial intelligence from the University of Edinburgh, Scotland. He has published several research papers in major international journals and his compositions have been performed worldwide. Also includes 57 musical examples.
Table of Contents
Foreword Quassim Cassam Intellectual Autobiography P F Strawson Part 1: Scepticism, Naturalism and Transcendental Arguments 1. Introductory Remarks 2. Traditional Scepticism 3. Hume: Reason and Nature 4. Hume and Wittgenstein 5. 'Only Connect': The Role of Transcendental Arguments 6. Three Quotations 7. Historicism: And the Past Part 2: Morality and Perception 1. Involvement and Detachment 2. Two Faces of Naturalism: The Relativizing Move 3. A Parallel Case: Perception and Its Objects 4. Evasion or Solution? Reconciliation or Surrender? Part 3: The Mental and the Physical 1. The Position So Far 2. The Identity Thesis: The Two Stories and Their Interface 3. Identity Or Causal Linkage? 4. An Imperfect Parallel Part 4: The Matter of Meaning 1. Intensional Entities: Rejectionists and Their Obligations 2. A Naturalist Reduction: Correctness, and Agreement, In Use 3. The Debate Over Recognition 4. The Debate Over Necessity 5. Solution or Conflict? An Inclusive Conclusion Index
by "Nielsen BookData"