The postcolonial exotic : marketing the margins
著者
書誌事項
The postcolonial exotic : marketing the margins
Routledge, 2001
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p. [291]-316) and index
内容説明・目次
内容説明
Travel writing, it has been said, helped produce the rest of the world for a Western audience. Could the same be said more recently of postcolonial writing?
In The Postcolonial Exotic, Graham Huggan examines some of the processes by which value is attributed to postcolonial works within their cultural field. Using varied methods of analysis, Huggan discusses both the exoticist discourses that run through postcolonial studies, and the means by which postcolonial products are marketed and domesticated for Western consumption.
Global in scope, the book takes in everything from:
* the latest 'Indo-chic' to the history of the Heinemann African Writers series
* from the celebrity stakes of the Booker Prize to those of the US academic star-system
*from Canadian multicultural anthologies to Australian 'tourist novels'.
This timely and challenging volume points to the urgent need for a more carefully grounded understanding of the processes of production, dissemination and consumption that have surrounded the rapid development of the postcolonial field.
目次
Preface, Introduction: writing at the margins: postcolonialism, exoticism and the politics of cultural value, 1. African literature and the anthropological exotic, 2. Consuming India, 3. Staged marginalities: Rushdie, Naipaul, Kureishi, 4. Prizing otherness: a short history of the Booker, 5. Exoticism, ethnicity and the multicultural fallacy, 6. Ethnic autobiography and the cult of authenticity, 7. Transformations of the tourist gaze: Asia in recent Canadian and Australian fiction, 8. Margaret Atwood, Inc., or, some thoughts on literary celebrity, Conclusion: thinking at the margins: postcolonial studies at the millennium, Notes, Bibliography, Index
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