Blood cinema : the reconstruction of national identity in Spain
著者
書誌事項
Blood cinema : the reconstruction of national identity in Spain
(A centennial book)
University of California Press, c1993
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references(p. 507-522) and index
内容説明・目次
内容説明
In this innovative synthesis of film history and cultural analysis, Marsha Kinder examines the films of such key directors as Bunuel, Saura, Erice, and Almodovar, as well as works from the popular cinema and television, exploring how they manifest political and cultural tensions related to the production of Spanish national identity within a changing global context. Concentrated on the decades from the 1950s to the 1990s, Kinder's work is broadly historical but essentially conceptual, moving backward and forward in time, drawing examples from earlier films and from works of art and literature, and providing close readings of a wide range of texts. Her questioning and internationalizing of the 'national cinema' concept and her application of contemporary critical theory - especially insights from feminism, Marxism, psychoanalysis, cultural studies, and discourse theory - distinguish "Blood Cinema" from previous film histories. The author also makes use of a variety of sources within Spain such as the commentaries on Spanish character and culture by Unamunov and others, the contemporary debate over the restructuring of Spanish television.
Kinder's book moves Spanish cinema into the mainstream of film studies by demonstrating that a knowledge of its history alters and enriches our understanding of world cinema. The interactive CD-ROM is available from CINE-DISCS, 2021 Holly Hill Terrace, Los Angeles, CA 90068, (213) 876-7678.
目次
Acknowledgments
Introduction: Beyond the Boundaries of a National Cinema
PART I. TRANSCULTURAL REINSCRIPTION
I . The Ideological Reinscription of Neorealist and Hollywood
Conventions in Spanish Cinema of the 1950s: Falangist Neorealism
in Surcos
2. The Subversive Reinscription of Melodrama in Muerte de un ciclista
3. Breaking New Ground in Los golfos, El cochecito, and El esplritu
de Ia colmena
PART II. THE REPRESENTATION OF VIOLENCE IN THE
SPANISH OEDIPAL NARRATIVE
4. Sacrifice and Massacre: On the Cultural Specificity of Violence
5. The Spanish Oedipal Narrative and Its Subversion
PART III. EXILE AND DIASPORA
6. Exile and Ideological Reinscription: The Unique Case of
Luis Bufiuel
7. The Economics of Exile: Borau On the Line of the
National/International Interface
PART IV. MICRO- AND MACROREGIONALISM
8. Micro- and Macroregionalism in Catalan Cinema, European
Coproductions, and Global Television
Epilogue: El Sol Also Rises
Notes
Bibliography
Index
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