The fifteenth century Italian paintings
著者
書誌事項
The fifteenth century Italian paintings
(National Gallery catalogues)
National Gallery , Distributed by Yale University Press, 2003-
- v. 1
- タイトル別名
-
Italian paintings
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (v. 1, p. 435-455) and indexes
内容説明・目次
内容説明
The National Gallery holdings of Italian paintings are both deep and wide-ranging. This new, richly illustrated catalogue of the Italian paintings from 1400-1460 includes entries on masterpieces by the greatest artists of the period such as Masaccio, Fra Angelico, Pisanello and Uccello. Since the publication in 1961 of Martin Davies' catalogue of the earlier Italian Schools, much new evidence has become available through both scientific and archival investigations. Discoveries have been made and new theories advanced, not only about the identity of the artists but about the nature of their subject-matter and the original settings of their work. Among the completely new research published here are the discovery of a concealed signature on an Annunciation by the Florentine painter Zanobi Strozzi and the identification of the missing predella panel from the Trinity altarpiece, begun by Pesellino and completed by Filippo Lippi. Every picture has been re-examined by conservators, and new information gleaned about its technique and condition. All the paintings are reproduced full-page, in colour, together with many details, comparative illustrations and reconstructions.
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