Henry Moore : critical essays

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Henry Moore : critical essays

edited by Jane Beckett and Fiona Russell

(Subject/object : new studies in sculpture / Penelope Curtis)

Ashgate, 2003

Available at  / 5 libraries

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Includes index

Description and Table of Contents

Description

For more than half a century, Henry Moore has enjoyed a privileged place as a pioneer of modern British sculpture. His work is familiar in public spaces worldwide. Celebrated for reconfiguring sculptural form, and hailed as a potent avant-garde artist, Moore has become a quintessentially establishment figure. A vast literature presents a story of unfolding development from early innovation to international reputation. This collection of essays reconnects Moore both to his times and to the preoccupations of modern art-historical scholarship. Examining broad themes in Moore's work from the 1930s to the 1980s, the essays reposition canonical pieces, offering readings of the diverse historical, economic and cultural conditions in which Moore's sculpture was produced and understood.

Table of Contents

  • A household name - Henry Moore's studio-homes and their bearings, 1926-1946, Jonathan Wood
  • The unfamiliar figure - Henry Moore in French periodicals of the 1930s, Julia Kelly
  • "Truth" and "truth to material" - Reflecting on the sculptural legacy of Henry Moore, Susan Hiller
  • Henry Moore and the uncanny, Andrew Causey
  • Bombs, birth and trauma - Henry Moore's and D.W. Winnicott's prehistory fragments, Lyndsey Stonebridge
  • Henry Moore and the post-war British landscape - Monuments ancient and modern, Penelope Curtis and Fiona Russell
  • Henry Moore's "open-air" sculpture - A modern, reforming aesthetic of sunlight and air, Robert Burstow
  • Moore's eclecticism - Difference, aesthetic identity and community in the architectural commissions, 1938-1958, Margaret Garlake
  • Dreams of the Sleeping Beauty - Henry Moore in Polish art criticism and the media, post-1945, Katarzyna Murawska-Muthesius
  • Ground zero - Henry Moore's Atom Piece at the University of Chicago, Iain Boal
  • Postscript - Henry Moore's Atom Piece - The 30s generation comes of age, Chris Stephens.

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