Before the nation : kokugaku and the imagining of community in early modern Japan
Author(s)
Bibliographic Information
Before the nation : kokugaku and the imagining of community in early modern Japan
(Asia-Pacific : culture, politics, and society)
Duke University Press, 2003
- : cloth
- : pbk
Available at 42 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [259]-269) and index
Description and Table of Contents
Description
Exploring the emergence and evolution of theories of nationhood that continue to be evoked in present-day Japan, Susan L. Burns provides a close examination of the late-eighteenth-century intellectual movement kokugaku, which means "the study of our country." Departing from earlier studies of kokugaku that focused on intellectuals whose work has been valorized by modern scholars, Burns seeks to recover the multiple ways "Japan" as social and cultural identity began to be imagined before modernity.Central to Burns's analysis is Motoori Norinaga's Kojikiden, arguably the most important intellectual work of Japan's early modern period. Burns situates the Kojikiden as one in a series of attempts to analyze and interpret the mythohistories dating from the early eighth century, the Kojiki and Nihon shoki. Norinaga saw these texts as keys to an original, authentic, and idyllic Japan that existed before being tainted by "flawed" foreign influences, notably Confucianism and Buddhism. Hailed in the nineteenth century as the begetter of a new national consciousness, Norinaga's Kojikiden was later condemned by some as a source of Japan's twentieth-century descent into militarism, war, and defeat. Burns looks in depth at three kokugaku writers-Ueda Akinari, Fujitani Mitsue, and Tachibana Moribe-who contested Norinaga's interpretations and produced competing readings of the mythohistories that offered new theories of community as the basis for Japanese social and cultural identity. Though relegated to the footnotes by a later generation of scholars, these writers were quite influential in their day, and by recovering their arguments, Burns reveals kokugaku as a complex debate-involving history, language, and subjectivity-with repercussions extending well into the modern era.
Table of Contents
Acknowledgments ix
Introduction: Between Community and the Nation 1
1 Late Tokugawa Society and the Crisis of Community 16
2 Before the Kojikiden: The Divine Age Narrative in Tokugawa Japan 35
3 Motoori Norinaga: Discovering Japan 68
4 Ueda Akinari: History and Community 102
5 Fujitani Mitsue: The Poetics of Community 131
6 Tachibana Moribe: Cosmology and Community 158
7 National Literature, Intellectual History, and the New Kokugaku 187
Conclusion: Imagined Japan(s) 220
Appendix: "Reading" the Kojiki 227
Notes 231
Works Cited 259
Index 271
by "Nielsen BookData"