Style and form in old-Babylonian literary texts
Author(s)
Bibliographic Information
Style and form in old-Babylonian literary texts
(Cuneiform monographs, 27)
Brill-Styx, 2003
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
Basing himself on a careful study of all hitherto published (and some unpublished) Old-Babylonian literary texts - roughly 270 different compositions of all literary genres - Dr. Wasserman systematically leads the reader to a number of insightful conclusions regarding distinctive style and outstanding features of the Old-Babylonian literary system (as opposed to everyday texts, such as letters).
The three opening chapters - Hendiadys, Tamyiz, and Damqam-inim - are mainly concerned with syntax, but also connections with inalienability, a semantic issue. Chapter four and five, Merismus and Simile, focus on semantics (though also including word order).
The last chapter, Rhyming Couplets, is fully devoted to form, with elaborations on such semantic problems as performative speech acts. The concluding pages delineate the contours of the Old-Babylonian literary system; genres and 'genre-families', the dichotomy between oral and written traditions, and the distinction between learned and popular literature.
With a detailed catalogue of all known literary Old-Babylonian compositions.
by "Nielsen BookData"