Animation art : from pencil to pixel, the history of cartoon, anime & cgi

書誌事項

Animation art : from pencil to pixel, the history of cartoon, anime & cgi

general editor, Jerry Beck ; forewords, Jeffrey Katzenberg & Bill Plympton ; authors, Ryan Ball, ... [et al.]

Haper Design International, 2004

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This large format, comprehensive, high quality and visually rich art book covers the history of animation throughout the world, focusing heavily on the North American creative engines of Disney, Warner and now the new, small production CGI houses.The book is divided into world regions to reveal the clear developments in each area, but heavy cross referencing will show the increasing internationalization of animation from the 1930's when the industry and creative imagination of Walt Disney began to infect artists and producers the world over, revealed most recently in The Matrix phenomenon where the bridge between the first and subsequent films, (Animatrix, nine animated shorts), was provided by a pioneering collaboration between US and Japanese animation studios. Beginning with the earliest in animation, we follow the few individuals who worked on their own to develop techniques that would soon transform animation into a mass-market phenomenon. In recent years, animation has been hugely impacted by the arrival of the computer, seen in films such as Toy Story and Shrek. Computers have pushed animation to the limit by achieving fine, detailed, real-world rendering techniques that challenge the next generation of animators.

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詳細情報

  • NII書誌ID(NCID)
    BA70825844
  • ISBN
    • 0060737131
  • LCCN
    2004109427
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    New York
  • ページ数/冊数
    382 p.
  • 大きさ
    28 cm
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