Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
Author(s)
Bibliographic Information
Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2004
Available at / 6 libraries
-
No Libraries matched.
- Remove all filters.
Note
Includes bibliographical references (p. [221]-231) and index
Description and Table of Contents
Description
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions-musical, philosophical, and historical-that "make a certain form of thought about music necessary and possible at the time it emerges."
Musical Meaning and Interpretation-Robert S. Hatten, editor
Table of Contents
Acknowledgments
Note on Translations
Introduction
1. Zarlino: Instituting Knowledge in the Time of Correspondences
2. The Representation of Order: Perception and the Early Modern Subject in Descartes's Compendium musicae
3. The Complicity of the Imagination: Representation, Subject, and System in Rameau
4. Gottfried Weber and Mozart's K. 465: The Contents and Discontents of the Listening Subject
Epilogue
Glossary of Greek Terms
Notes
Bibliography
Index
by "Nielsen BookData"