Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
著者
書誌事項
Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2004
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注記
Includes bibliographical references (p. [221]-231) and index
内容説明・目次
内容説明
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions-musical, philosophical, and historical-that "make a certain form of thought about music necessary and possible at the time it emerges."
Musical Meaning and Interpretation-Robert S. Hatten, editor
目次
Acknowledgments
Note on Translations
Introduction
1. Zarlino: Instituting Knowledge in the Time of Correspondences
2. The Representation of Order: Perception and the Early Modern Subject in Descartes's Compendium musicae
3. The Complicity of the Imagination: Representation, Subject, and System in Rameau
4. Gottfried Weber and Mozart's K. 465: The Contents and Discontents of the Listening Subject
Epilogue
Glossary of Greek Terms
Notes
Bibliography
Index
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