Dealing with the visual : art history, aesthetics and visual culture

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書誌事項

Dealing with the visual : art history, aesthetics and visual culture

edited by Caroline van Eck and Edward Winters

Ashgate, c2005

  • : hbk

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注記

Includes bibliographical references (p. [284]-298) and index

内容説明・目次

内容説明

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.

目次

  • Introduction, Caroline van Eck. Part One The Experience of the Visual in Art History, Aesthetics and Visual Culture: Visual culture and the history of art, David Peters Corbett
  • Space without hiding places: Merleau-Ponty on linear perspective, or is there such a thing as the history of vision?, Renee van de Vall
  • Aesthetics and visual culture: looking at Andrew Pankhurst's Night Painting, Edward Winters
  • Modern media and visuality: ought painting to be allowed to die?, Derek Matravers. Part Two Elucidating the Visual: Marcus Gheeraerdts' Captain Thomas Lee, Lucy Gent
  • Painting and visuality in Van Dyck's Self-portrait with a sunflower, John Peacock
  • Sacred contagion: profane jewellery and votive transvaluation at the Santa Casa 1720-1820, Marcia Pointon
  • Villas and vision: looking at Palladio's villas from the road, Lex Hermans
  • Staged experiences: the church designs of Nicholas Hawksmoor, Sophie Ploeg
  • Shadow, shading and outline in architectural engraving from Faert to Letarouilly, Nicholas Savage
  • The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century, Petra Brouwer
  • Mies van der Rohe - drawing in space, Victoria Watson
  • Bibliography
  • Index.

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