The national fabric : fashion, Britishness, globalization
著者
書誌事項
The national fabric : fashion, Britishness, globalization
(Dress, body, culture)
Berg, 2005
- : pbk
- : cloth
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 215-235) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9781845201869
内容説明
British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity.
目次
All Change Aboard the Fashion Express! Beyond the Big Hair: Geographies of Consumption, Globalization and Fashion A State of Disunion: Britishness and British Fashion Rising Sun, Setting Trends: Exporting British Fashion Chic Versus Geek: Locating Nation, Locating Taste Who Wears the Trousers? Fashion, Nation, Gender
- 巻冊次
-
: pbk ISBN 9781845201876
内容説明
British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity.
目次
All Change Aboard the Fashion Express! Beyond the Big Hair: Geographies of Consumption, Globalization and Fashion A State of Disunion: Britishness and British Fashion Rising Sun, Setting Trends: Exporting British Fashion Chic Versus Geek: Locating Nation, Locating Taste Who Wears the Trousers? Fashion, Nation, Gender
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