Envisioning gender in Burgundian devotional art, 1350-1530 : experience, authority, resistance
Author(s)
Bibliographic Information
Envisioning gender in Burgundian devotional art, 1350-1530 : experience, authority, resistance
(Women and gender in the early modern world)
Ashgate, c2005
- : hardcover
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
-
UNIVERSITY OF TSUKUBA LIBRARY, ART & PHYSICAL EDUCATION LIBRARY
: hardcover723.359-P3110006004640
Note
Includes bibliographical references (p. [203]-228) and index
Description and Table of Contents
Description
Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.
Table of Contents
- Contents: Introduction: Performing gender in the Burgundian Netherlands
- Authority and community in women's books of hours
- Regendering the faith: books of hours, devotional portrait diptychs, and the affirmation of men
- The problem of male embodiment in two diptychs from Bruges
- Nuns and clerics: ambiguous authority in a devotional portrait diptych
- Disrupting gender at the court of Margaret of Austria
- Conclusion
- Appendix
- Bibliography
- Index.
by "Nielsen BookData"