Manga from the floating world : comicbook culture and the kibyōshi of Edo Japan
Author(s)
Bibliographic Information
Manga from the floating world : comicbook culture and the kibyōshi of Edo Japan
（Harvard East Asian monographs, 279）
Harvard University Asia Center , Distributed by Harvard University Press, 2006
- : cloth
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Note
Some kibyoshi items translated from Japanese
Includes bibliographical references (p. [509]-524) and index
Description and Table of Contents
Description
"Manga from the Floating World" is the first full-length study in English of the kibyoshi, a genre of sophisticated pictorial fiction widely read in late-18th Century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist, Santo Kyoden (1761-1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyoshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened. Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections.
It serves as an introduction not only to the kibyoshi but also to the genre's readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese comic book (manga) and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history.
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