Value, art, politics : criticism, meaning and interpretation after postmodernism
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Bibliographic Information
Value, art, politics : criticism, meaning and interpretation after postmodernism
（Value, art, politics / series editor, Jonathan Harris）
Liverpool University Press, 2007
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Criticism, meaning and interpretation after postmodernism
Value art politics : criticism meaning and interpretation after postmodernism
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Includes bibliographical references
Description and Table of Contents
Description
Value, Art, Politics draws together questions of value and evaluation in relation to studies of historical and contemporary art and artists, within a broad 'social history of art' conceptual framework. Topics covered include the status of aesthetic and other judgements and their relation to analytic methods in the discipline; the reformulation of feminist aesthetics and cultural politics; the impact of postcolonial theory; the status of 'traditional' media now such as paintings and sculptures; new technologies of visual representation; Marxism and culture after Postmodernism; revisionist histories of formalist criticism.
Table of Contents
- Acknowledgements Notes on Contributors Jonathan Harris Introduction: With Postmodernism Grounded: Prospects for Renewal in Critical Art History 1. John Barrell - Dark side of the Landscape 2. Albert Boime - Forecasting Belshazzar's Fall 3. Paul Smith - 'Real Primitives': Cezanne, Wittgenstein, and the Nature of Aesthetic Quality 4. Stephen F. Eisenman - Death and Tourism: Claude Monet's Paintings of VEnice 5. T.J Clark - Phenominality and Materiality in Cezanne 6. T.J Clark - The End of Left Art History? 7. Susanne Baackmann - Prosthetic Illusions of Masculinity: Hans Bellmer's Dolls and the Fascist Imaginary 8. David Craven -Rene Magritte and the Spectre of Commodity Fetishism 9. Anne M. Wagner - Three Artists ( Three Women) 10. Fred Orton - 'Suspensa Vix Via Fit' Jasper Johns' 'Catenary': The Work of Art and the Art Object
- The Everyday Self and the Extraordinary Self 11. Alan Wallach - 'Norman Rockwell' at the Guggenheim 12. John Tagg - The Capture of Meaning 13. Paul Mattick - The Dialectic of Disappointment : Adorno and Art Criticism since the 1980s 14. Amelia Jones - 'Every Man Knows Where and How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics 15. Brandon Taylor - Virtuosity and Contrivance in the New Sculpture
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