Value, art, politics : criticism, meaning and interpretation after postmodernism

書誌事項

Value, art, politics : criticism, meaning and interpretation after postmodernism

edited by Jonathan Harris

(Value, art, politics / series editor, Jonathan Harris)

Liverpool University Press, 2007

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タイトル別名

Criticism, meaning and interpretation after postmodernism

Value art politics : criticism meaning and interpretation after postmodernism

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注記

Includes bibliographical references

内容説明・目次

内容説明

Value, Art, Politics draws together questions of value and evaluation in relation to studies of historical and contemporary art and artists, within a broad 'social history of art' conceptual framework. Topics covered include the status of aesthetic and other judgements and their relation to analytic methods in the discipline; the reformulation of feminist aesthetics and cultural politics; the impact of postcolonial theory; the status of 'traditional' media now such as paintings and sculptures; new technologies of visual representation; Marxism and culture after Postmodernism; revisionist histories of formalist criticism.

目次

  • Acknowledgements Notes on Contributors Jonathan Harris Introduction: With Postmodernism Grounded: Prospects for Renewal in Critical Art History 1. John Barrell - Dark side of the Landscape 2. Albert Boime - Forecasting Belshazzar's Fall 3. Paul Smith - 'Real Primitives': Cezanne, Wittgenstein, and the Nature of Aesthetic Quality 4. Stephen F. Eisenman - Death and Tourism: Claude Monet's Paintings of VEnice 5. T.J Clark - Phenominality and Materiality in Cezanne 6. T.J Clark - The End of Left Art History? 7. Susanne Baackmann - Prosthetic Illusions of Masculinity: Hans Bellmer's Dolls and the Fascist Imaginary 8. David Craven -Rene Magritte and the Spectre of Commodity Fetishism 9. Anne M. Wagner - Three Artists ( Three Women) 10. Fred Orton - 'Suspensa Vix Via Fit' Jasper Johns' 'Catenary': The Work of Art and the Art Object
  • The Everyday Self and the Extraordinary Self 11. Alan Wallach - 'Norman Rockwell' at the Guggenheim 12. John Tagg - The Capture of Meaning 13. Paul Mattick - The Dialectic of Disappointment : Adorno and Art Criticism since the 1980s 14. Amelia Jones - 'Every Man Knows Where and How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics 15. Brandon Taylor - Virtuosity and Contrivance in the New Sculpture

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詳細情報

  • NII書誌ID(NCID)
    BA8406540X
  • ISBN
    • 9781846310416
    • 9781846310423
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Liverpool
  • ページ数/冊数
    xi, 423 p.
  • 大きさ
    23 cm
  • 分類
  • 件名
  • 親書誌ID
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