The Ashgate research companion to popular musicology
著者
書誌事項
The Ashgate research companion to popular musicology
(Ashgate research companion)
Ashgate, c2009
- : hbk
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
目次
- Introduction
- 1: Film, Video and Multimedia
- 1: Trevor Jones's Score for In the Name of the Father
- 2: Music, Sound and the Moving Image: The Present and a Future? 1
- 3: Reinventing Question Time
- 4: Televised Live Performance, Looping Technology and the 'Nu Folk': KT Tunstall on Later ... with Jools Holland
- 2: Technology and Studio Production
- 5: Learning to Listen to Perfect Sound: Hi-fi Culture and Changes in Modes of Listening, 1950-80
- 6: Approaches to Analysing Recordings of Popular Music
- 7: The Art of Phonography: Sound, Technology and Music 1
- 3: Gender and Sexuality
- 8: Genre, Subjectivity and Back-up Singing in Rock Music
- 9: Notes on Musical Camp
- 10: Who Are You? Research Strategies of the Unruly Feminine
- 11: 'I'm a Man': Masculinities in Popular Music
- 4: Identity and Ethnicity
- 12: The Woven World: Unravelling the Mainstream and the Alternative in Greek Popular Music
- 13: Dayton Street Funk: The Layering of Multiple Identities 1
- 14: Black, White and Brown on the Dance Floor: The New Meanings of Panjabiyat in the Twenty-first Century
- 5: Performence and Gesture
- 15: Musical Persona: The Physical Performance of Popular Music 1
- 16: Vocal Performance and the Projection of Emotional Authenticity
- 17: 'Chelsea Rodgers' was a Model - Vocality in Prince of the Twenty-first Century
- 18: Singing Style and White Masculinity
- 19: Talking Music, Making Music: A Comparison between Rap and Techno 1
- 6: Reception and Scenes
- 20: Absolute Beginners: The Evolution of a British Popular Music Scene
- 21: Studying Reception and Scenes
- 22: Interpretation: So What? 1
- 7: The Music Industry and Globalization
- 23: Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes
- 24: Music and the Creative Knowledge Economy
- 25: The Transnational Music Industry
- 26: Pop Idol: Global Economy - Local Meanings
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