History beyond the text : a student's guide to approaching alternative sources
Author(s)
Bibliographic Information
History beyond the text : a student's guide to approaching alternative sources
(Routledge guides to using historical sources)
Routledge, 2009
- : pbk
- : hbk
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches.
In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book.
Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.
Table of Contents
1. Introduction Sarah Barber and Corinna Peniston-Bird 2. Fine Art: The Creative Image Sarah Barber 3. The Cartoon: The Image as Critique Frank Palmeri 4. The Photograph: The Still Image Derek Sayer 5. Film and Television: The Moving Image Jeffrey Richards 6. Music: The Creative Sound Burton W. Peretti 7. Oral Testimony: The Sound of Memory Corinna Peniston-Bird 8. The Internet: Virtual Space Lisa Blenkinsop 9. Landscape: The Configured Space Tom Williamson 10. Architecture: The Built Object Christopher Long 11. Material Culture: The Object Adrienne D. Hood
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