Romanticism and music culture in Britain, 1770-1840 : virtue and virtuosity
Author(s)
Bibliographic Information
Romanticism and music culture in Britain, 1770-1840 : virtue and virtuosity
（Cambridge studies in romanticism, 82）
Cambridge University Press, 2010
- : hardback
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Note
Includes bibliographical references (p. 222-232) and index
Description and Table of Contents
Description
Music was central to everyday life and expression in late Georgian Britain, and this interdisciplinary study looks at its impact on Romantic literature. Focusing on the public fascination with virtuoso performance, Gillen D'Arcy Wood documents a struggle between sober 'literary' virtue and luxurious, effeminate virtuosity that staged deep anxieties over class, cosmopolitanism, machine technology, and the professionalization of culture. A remarkable synthesis of cultural history and literary criticism, this book opens new perspectives on key Romantic authors - including Burney, Wordsworth, Austen and Byron - and their relationship to definitive debates in late Georgian culture.
Table of Contents
- Preface
- Introduction. Virtuosophobia
- 1. Seward's Handelomania
- 2. The Burney baroque
- 3. Wordsworth castrato
- 4. Cockney Mozart
- 5. Austen's accomplishment
- 6. The Byron of the piano
- Coda. The mechanical nightingale.
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