Thirty years' musical recollections
著者
書誌事項
Thirty years' musical recollections
（Cambridge library collection, . Music）
Cambridge University Press, 2009
- v. 1 : pbk
- v. 2 : pbk
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注記
"This digitally printed version 2009"--T.p. verso
Reprint. Originally published: London : Hurst and Blackett, 1862
内容説明・目次
- 巻冊次
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v. 1 : pbk ISBN 9781108001403
内容説明
Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 1 covers the period 1830-1847 and serves as a valuable reference work to the musical life of London during these years. Starting with his reminiscences of the opera season in 1830, Chorley takes the reader on a journey from early performances of Italian and German opera in England, via works by Rossini, Bellini and Donizetti and the first appearances of Lablache and of Mademoiselle Taglioni, through to Verdi's operas in 1846. He also describes famous opera singers including Maria Malibran, Giambattista Rubini, Madame Grisi, Madame Pasta, Madame Persiani, Rachel Felix, Signor Mario, and Mademoiselle Jenny Lind.
目次
- 1. The year 1830
- 2. The year 1831
- 3. The year 1832
- 4. The year 1833
- 5. The year 1834
- 6. The year 1835
- 7. The year 1836
- 8. The year 1837
- 9. The year 1838
- 10. The year 1839
- 11. The year 1840
- 12. The year 1841
- 13. The year 1842
- 14. The year 1843
- 15. The year 1844
- 16. The year 1845
- 17. The year 1846
- 18. The year 1847.
- 巻冊次
-
v. 2 : pbk ISBN 9781108001410
内容説明
Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 2 covers the period 1847-1859 and serves as a valuable reference work to the musical life of London during these years. It begins with an account of the deterioration of Her Majesty's Theatre and the opening of the Royal Italian Opera. Chorley intersperses discerning observations about the changing trends in public taste with descriptions of famous opera singers - including Mademoiselle Alboni, Signor Ronconi, the Countess Rossi, Madame Ristori and Madame Pauline Viardot - and highlights their more noteworthy performances. The book is an entertaining eyewitness account of the lively musical scene in mid-nineteenth-century London.
目次
- 1. The year 1847. Mademoiselle Alboni. Signor Ronconi
- 2. The year 1848 (Her Majesty's Theatre)
- 3. The year 1848 (Royal Italian Opera). M. Mayerbeer's operas. Madame Pauline Viardot
- 4. The year 1849 (Her Majesty's Theatre). The Countess Rossi
- 5. The year 1849 (Royal Italian Opera). M. Meyerbeer's operas - "Le Prophete". M. Auber's operas
- 6. The year 1850 (Her Majesty's Theatre)
- 7. The year 1850 (Royal Italian Opera)
- 8. The year 1851 (Her Majesty's Theatre)
- 9. The year 1851 (Royal Italian Opera)
- 10. The year 1852 (Her Majesty's Theatre)
- 11. The year 1852 (Royal Italian Opera)
- 13. The year 1853 (Royal Italian Opera)
- 12. The year 1854 (Royal Italian Opera)
- 13. The year 1855 (Royal Italian Opera)
- 14. The year 1856 (Her Majesty's Theatre)
- 15. The year 1856 (Royal Italian Opera), Madame Ristori
- 16. The year 1857 (Royal Italian Opera)
- 17. The year 1857 (Her Majesty's Theatre)
- 18. The year 1858 (Her Majesty's Theatre-Royal Italian Opera-Drury Lane)
- 19. The year 1859 (Royal Italian Opera-Drury Lane
- 20. The last chapter.
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