Toward a semiotic theory of visual communication in the cinema : a reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock
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Toward a semiotic theory of visual communication in the cinema : a reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock
University Microfilms International, c1977
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注記
Facsim. of the author's thesis (Ph.D.)--Northwestern University, 1977
Filmography: leaves 257-269
Bibliography: leaves 270-275
"78-721"