Bibliographic Information

Euripides : Herakles

edited by Ulrich von Wilamowitz-Moellendorff

(Cambridge library collection, . Classics)

Cambridge University Press, 2010

  • v. 1 : pbk
  • v. 2 : pbk

Other Title

Euripides, Herakles

Herakles

Available at  / 1 libraries

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Note

Reprint. Originally published (as zweite Bearbeitung): Berlin : Weidmannsche Buchhandlung, 1895

Includes bibliographical references and index

Description and Table of Contents

Volume

v. 1 : pbk ISBN 9781108013031

Description

Wilamowitz-Moellendorff's edition of Herakles was published in 1895. The renowned German philologist delivers a detailed reading and translation of Euripides' classic tragedy, and also provides the reader with an introduction to the context in which the tragedy unfolds. Volume 1 is divided into three parts. The first is a thorough account of the origins of the story and a characterisation of the figure of Herakles as he first appears in Greek mythology. Herakles belongs to the Dorian tribe and deeply embedded in their self-understanding is, according to Moellendorff, the belief in the divineness of the righteous Dorian man. In the second part of this volume Moellendorff interprets Euripides' version of the Heraclian figure and explains where and how this version of the tragedy differs from the original mythological framework. Part 3 gives Euripides' Greek text and Moellendorff's translation of the drama into German.

Table of Contents

  • Vorwort
  • Der Herakles der sage
  • Der Herakles des Euripides
  • Vorbemerkung von texte
  • Herakles.
Volume

v. 2 : pbk ISBN 9781108013048

Description

Wilamowitz-Moellendorff's edition of Herakles was published in 1895. The renowned German philologist delivers a detailed reading and translation of Euripides' classic tragedy, and also provides the reader with an introduction to the context in which the tragedy unfolds. Volume 2 is devoted to Moellendorf's commentary on the etymological, historical and dramatic details of Euripides' interpretation of Herakles' fate. He reminds the reader that Attic drama was always written for performance on a specific occasion, namely at the Feast of Dionysus, and in a particular place, namely on sacred ground. In order to appreciate the fullness of the drama the modern reader or spectator is therefore required to make full use of the imagination in order to appreciate the religious context and content of the play.

Table of Contents

  • Commentar
  • Register.

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