Indian paintings in the Sarabhai Foundation
Author(s)
Bibliographic Information
Indian paintings in the Sarabhai Foundation
Sarabhai Foundation , Distributors in India, Niyogi Books, 2010
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 147-153)
Summary: Catalog and study of paintings
Description and Table of Contents
Description
The little-known paintings to which this volume serves as a catalogue once belonged to the Sarabhai family. The works collected by the Sarabhais reflect great discrimination and aesthetic sensibility. This remarkable collection offers a well-rounded view of the broad historical development of Indian painting. There are works here that come from as early as the 11th century and as late as the 19th; small Pala works on palm-leaf jostle against some of the earliest works done on paper when that material came into use; Mughal works like those from some of the most celebrated series like the Hamza Nama or the Padshahnama stand close to dazzling folios from the so-called 'Palam' Bhagavata; and, the painter Chokha of Deogarh figures in the collection as much as the great Nainsukh of Guler does.
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