Gustav Klimt : Erwartung und Erfüllung : Entwürfe zum Mosaikfries im Palais Stoclet Gustav Klimt : expectation and fulfillment : cartoons for the Mosaic Frieze at Stoclet House
Author(s)
Bibliographic Information
Gustav Klimt : Erwartung und Erfüllung : Entwürfe zum Mosaikfries im Palais Stoclet = Gustav Klimt : expectation and fulfillment : cartoons for the Mosaic Frieze at Stoclet House
Hatje Cantz, 2012
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalogue of the exhibition held at the MAK Wien, Vienna, Mar. 21-July 15, 2012
Two folded leaves ill. inserted
Text in German and English
Includes bibliographical references
Description and Table of Contents
Description
In 1905, Adolphe Stoclet commissioned a private mansion in Brussels. A synthesis of the arts, it was decorated by artists from and friends of the Wiener Werkstatte. Gustav Klimt (1862-1918) designed a three-part mosaic frieze consisting of fifteen separate components for the dining room of Stoclet House.
Klimt's famous cartoons, including the motifs Expectation, Fulfillment, and The Tree of Life, were produced in 1910/11. He was very explicit in his instructions to the Wiener Werkstatte about his ideas for the material, nuances of color, and surface reflections. On the occasion of the completion of the frieze's restoration, this publication now traces Klimt's approach and compares his instructions with the pieces of the mosaic executed by the Wiener Werkstatte and relics of their work. It also includes details on the restoration and conservation of the frieze, and sheds light on the appropriation of the motifs in terms of history and art history as well as Klimt's reception of Japanese painting.
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