Popular culture co-productions and collaborations in East and Southeast Asia
Author(s)
Bibliographic Information
Popular culture co-productions and collaborations in East and Southeast Asia
（Kyoto CSEAS series on Asian studies, 7）
Nus Press , In association with Kyoto University Press, c2013
- : NUS Press: paper
- : Kyoto University Press
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Doshisha University Library (Imadegawa)
: NUS Press361.5||O9453135700343,
: Kyoto University Press361.5||O9453147002096 -
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Note
Includes bibliographical references (p. 237-259) and index
Description and Table of Contents
Table of Contents
- Ｉｎｔｒｏｄｕｃｔｉｏｎ：Ｈｉｓｔｏｒｙ ａｎｄ Ｔｈｅｏｒｙ ｉｎ ｔｈｅ Ｓｔｕｄｙ ｏｆ Ｃｕｌｔｕｒａｌ Ｃｏｌｌａｂｏｒａｔｉｏｎ
- Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ Ｐｒｏｃｅｓｓｅｓ ａｎｄ Ｆｅａｔｕｒｅｓ（Ｐｏｐｕｌａｒ Ｃｕｌｔｕｒｅ ａｎｄ Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ ｉｎ Ｅａｓｔ ａｎｄ Ｓｏｕｔｈｅａｓｔ Ａｓｉａ；Ｋｏｒｅａｎ Ｃｉｎｅｍａ Ｉｎｄｕｓｔｒｙ ａｎｄ Ｃｉｎｅｍａ Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ ｉｎ Ｅａｓｔ Ａｓｉａ；Ｒｅｇｉｏｎａｌ Ｃｏｎｔｅｘｔｓ ｏｆ Ｃｏｏｐｅｒａｔｉｏｎ ａｎｄ Ｃｏｌｌａｂｏｒａｔｉｏｎ ｉｎ Ｈｏｎｇ Ｋｏｎｇ Ｃｉｎｅｍａ）
- Ｍｅｃｈａｎｉｓｍｓ ｏｆ Ｃｏ‐ｐｒｏｄｕｃｔｉｏｎ ａｎｄ Ｃｏｌｌａｂｏｒａｔｉｏｎ（Ｃｏｏｋｉｎｇ Ｏｕｔｓｉｄｅ ｔｈｅ Ｂｏｘ：Ｗｈａｔ Ｃａｎ Ｒｉｃｅ Ｃｏｏｋｅｒｓ Ｔｅｌｌ Ｕｓ ａｂｏｕｔ Ｃｒｏｓｓ‐Ｃｕｌｔｕｒａｌ Ｃｏｌｌａｂｏｒａｔｉｏｎｓ？；Ｒｅ‐ｎａｔｉｏｎａｌｉｚｉｎｇ ｔｈｅ Ｔｒａｎｓｎａｔｉｏｎａｌ？Ｔｈｅ Ｃａｓｅｓ ｏｆ Ｅｘｉｌｅｄ ａｎｄ Ｗａｒｌｏｒｄｓ ｉｎ Ｈｏｎｇ Ｋｏｎｇ‐Ｃｈｉｎａ Ｆｉｌｍ Ｃｏ‐ｐｒｏｄｕｃｔｉｏｎ；Ｔｒａｎｓｎａｔｉｏｎａｌ Ｋ‐Ｐｏｐ Ｍａｃｈｉｎｅ Ｓｅａｒｃｈｉｎｇ ｆｏｒ“Ａｓｉａｎ”Ｍｏｄｅｌ ｔｈｒｏｕｇｈ Ｃｒｏｓｓｂｒｅｅｄｉｎｇ？ ほか）
- Ｃｉｒｃｕｍｖｅｎｔｉｎｇ Ｎａｔｉｏｎａｌｉｔｙ ａｎｄ ｔｈｅ Ｓｔａｔｅ（Ｒｅｇｉｏｎａｌｉｓｍ ａｎｄ Ｎａｔｉｏｎａｌ Ｄｉｓ‐ｉｎｔｅｇｒａｔｉｏｎ：Ｌｉ Ｙｉｎｇ’ｓ Ｙａｓｕｋｕｎｉ ａｎｄ ｔｈｅ Ｃｏ‐ｃｒｅａｔｉｏｎ ｏｆ Ｅａｓｔ Ａｓｉａ；Ｍａｓｔｅｒ Ｑ，Ｋｕｎｇ Ｆｕ Ｈｅｒｏｅｓ ａｎｄ ｔｈｅ Ｐｅｒａｎａｋａｎ Ｃｈｉｎｅｓｅ：Ａｓｉａｎ Ｐｏｐ Ｃｕｌｔｕｒｅｓ ｉｎ Ｎｅｗ Ｏｒｄｅｒ Ｉｎｄｏｎｅｓｉａ；Ｃｈｉｎｅｓｅ Ｓｕｂｔｉｔｌｅ Ｇｒｏｕｐｓ ａｎｄ ｔｈｅ Ｎｅｏｌｉｂｅｒａｌ Ｗｏｒｋ Ｅｔｈｉｃ）
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