Popular culture co-productions and collaborations in East and Southeast Asia

書誌事項

Popular culture co-productions and collaborations in East and Southeast Asia

edited by Nissim Otmazgin and Eyal Ben-Ari

(Kyoto CSEAS series on Asian studies, 7)

Nus Press , In association with Kyoto University Press, c2013

  • : NUS Press: paper
  • : Kyoto University Press

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注記

Includes bibliographical references (p. 237-259) and index

内容説明・目次

巻冊次

: Kyoto University Press ISBN 9784876983568

目次

  • Introduction:History and Theory in the Study of Cultural Collaboration
  • Regionalization Processes and Features(Popular Culture and Regionalization in East and Southeast Asia;Korean Cinema Industry and Cinema Regionalization in East Asia;Regional Contexts of Cooperation and Collaboration in Hong Kong Cinema)
  • Mechanisms of Co‐production and Collaboration(Cooking Outside the Box:What Can Rice Cookers Tell Us about Cross‐Cultural Collaborations?;Re‐nationalizing the Transnational?The Cases of Exiled and Warlords in Hong Kong‐China Film Co‐production;Transnational K‐Pop Machine Searching for“Asian”Model through Crossbreeding? ほか)
  • Circumventing Nationality and the State(Regionalism and National Dis‐integration:Li Ying’s Yasukuni and the Co‐creation of East Asia;Master Q,Kung Fu Heroes and the Peranakan Chinese:Asian Pop Cultures in New Order Indonesia;Chinese Subtitle Groups and the Neoliberal Work Ethic)

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内容説明・目次

巻冊次

: NUS Press: paper ISBN 9789971696009

内容説明

This wide-ranging volume is the first to examine the characteristics, dynamics and wider implications of recently emerging regional production, dissemination, marketing and consumption systems of popular culture in East and Southeast Asia. Using tools based in a variety of disciplines - organisational analysis and sociology, cultural and media studies, and political science and history - it elucidates the underlying cultural economics and the processes of region-wide appropriation of cultural formulas and styles. Through discussions of Japanese, Chinese, Korean, Philippine and Indonesian culture industries, the authors in the book describe a major shift in Asia's popular culture markets toward arrangements that transcend autonomous national economies by organising and locating production, distribution, and consumption of cultural goods on a regional scale. Specifically, the authors deal with patterns of co-production and collaboration in the making and marketing of cultural commodities such as movies, music, comics, and animation. The book uses case studies to explore the production and exploitation of cultural imaginaries within the context of intensive regional circulation of cultural commodities and images. Drawing on empirically-based accounts of co-production and collaboration in East and Southeast Asia's popular culture, it adopts a regional framework to analyse the complex interrelationships among cultural industries. This focus on a regional economy of transcultural production provides an important corrective to the limitations of previous studies that consider cultural products as text and use them to investigate the ""meaning"" of popular culture.

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