Popular culture co-productions and collaborations in East and Southeast Asia
著者
書誌事項
Popular culture co-productions and collaborations in East and Southeast Asia
（Kyoto CSEAS series on Asian studies, 7）
Nus Press , In association with Kyoto University Press, c2013
- : NUS Press: paper
- : Kyoto University Press
大学図書館所蔵 全20件
注記
Includes bibliographical references (p. 237-259) and index
内容説明・目次
- 巻冊次
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: Kyoto University Press ISBN 9784876983568
目次
- Ｉｎｔｒｏｄｕｃｔｉｏｎ：Ｈｉｓｔｏｒｙ ａｎｄ Ｔｈｅｏｒｙ ｉｎ ｔｈｅ Ｓｔｕｄｙ ｏｆ Ｃｕｌｔｕｒａｌ Ｃｏｌｌａｂｏｒａｔｉｏｎ
- Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ Ｐｒｏｃｅｓｓｅｓ ａｎｄ Ｆｅａｔｕｒｅｓ（Ｐｏｐｕｌａｒ Ｃｕｌｔｕｒｅ ａｎｄ Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ ｉｎ Ｅａｓｔ ａｎｄ Ｓｏｕｔｈｅａｓｔ Ａｓｉａ；Ｋｏｒｅａｎ Ｃｉｎｅｍａ Ｉｎｄｕｓｔｒｙ ａｎｄ Ｃｉｎｅｍａ Ｒｅｇｉｏｎａｌｉｚａｔｉｏｎ ｉｎ Ｅａｓｔ Ａｓｉａ；Ｒｅｇｉｏｎａｌ Ｃｏｎｔｅｘｔｓ ｏｆ Ｃｏｏｐｅｒａｔｉｏｎ ａｎｄ Ｃｏｌｌａｂｏｒａｔｉｏｎ ｉｎ Ｈｏｎｇ Ｋｏｎｇ Ｃｉｎｅｍａ）
- Ｍｅｃｈａｎｉｓｍｓ ｏｆ Ｃｏ‐ｐｒｏｄｕｃｔｉｏｎ ａｎｄ Ｃｏｌｌａｂｏｒａｔｉｏｎ（Ｃｏｏｋｉｎｇ Ｏｕｔｓｉｄｅ ｔｈｅ Ｂｏｘ：Ｗｈａｔ Ｃａｎ Ｒｉｃｅ Ｃｏｏｋｅｒｓ Ｔｅｌｌ Ｕｓ ａｂｏｕｔ Ｃｒｏｓｓ‐Ｃｕｌｔｕｒａｌ Ｃｏｌｌａｂｏｒａｔｉｏｎｓ？；Ｒｅ‐ｎａｔｉｏｎａｌｉｚｉｎｇ ｔｈｅ Ｔｒａｎｓｎａｔｉｏｎａｌ？Ｔｈｅ Ｃａｓｅｓ ｏｆ Ｅｘｉｌｅｄ ａｎｄ Ｗａｒｌｏｒｄｓ ｉｎ Ｈｏｎｇ Ｋｏｎｇ‐Ｃｈｉｎａ Ｆｉｌｍ Ｃｏ‐ｐｒｏｄｕｃｔｉｏｎ；Ｔｒａｎｓｎａｔｉｏｎａｌ Ｋ‐Ｐｏｐ Ｍａｃｈｉｎｅ Ｓｅａｒｃｈｉｎｇ ｆｏｒ“Ａｓｉａｎ”Ｍｏｄｅｌ ｔｈｒｏｕｇｈ Ｃｒｏｓｓｂｒｅｅｄｉｎｇ？ ほか）
- Ｃｉｒｃｕｍｖｅｎｔｉｎｇ Ｎａｔｉｏｎａｌｉｔｙ ａｎｄ ｔｈｅ Ｓｔａｔｅ（Ｒｅｇｉｏｎａｌｉｓｍ ａｎｄ Ｎａｔｉｏｎａｌ Ｄｉｓ‐ｉｎｔｅｇｒａｔｉｏｎ：Ｌｉ Ｙｉｎｇ’ｓ Ｙａｓｕｋｕｎｉ ａｎｄ ｔｈｅ Ｃｏ‐ｃｒｅａｔｉｏｎ ｏｆ Ｅａｓｔ Ａｓｉａ；Ｍａｓｔｅｒ Ｑ，Ｋｕｎｇ Ｆｕ Ｈｅｒｏｅｓ ａｎｄ ｔｈｅ Ｐｅｒａｎａｋａｎ Ｃｈｉｎｅｓｅ：Ａｓｉａｎ Ｐｏｐ Ｃｕｌｔｕｒｅｓ ｉｎ Ｎｅｗ Ｏｒｄｅｒ Ｉｎｄｏｎｅｓｉａ；Ｃｈｉｎｅｓｅ Ｓｕｂｔｉｔｌｅ Ｇｒｏｕｐｓ ａｎｄ ｔｈｅ Ｎｅｏｌｉｂｅｒａｌ Ｗｏｒｋ Ｅｔｈｉｃ）
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内容説明・目次
- 巻冊次
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: NUS Press: paper ISBN 9789971696009
内容説明
This wide-ranging volume is the first to examine the characteristics, dynamics and wider implications of recently emerging regional production, dissemination, marketing and consumption systems of popular culture in East and Southeast Asia. Using tools based in a variety of disciplines - organisational analysis and sociology, cultural and media studies, and political science and history - it elucidates the underlying cultural economics and the processes of region-wide appropriation of cultural formulas and styles.
Through discussions of Japanese, Chinese, Korean, Philippine and Indonesian culture industries, the authors in the book describe a major shift in Asia's popular culture markets toward arrangements that transcend autonomous national economies by organising and locating production, distribution, and consumption of cultural goods on a regional scale. Specifically, the authors deal with patterns of co-production and collaboration in the making and marketing of cultural commodities such as movies, music, comics, and animation.
The book uses case studies to explore the production and exploitation of cultural imaginaries within the context of intensive regional circulation of cultural commodities and images. Drawing on empirically-based accounts of co-production and collaboration in East and Southeast Asia's popular culture, it adopts a regional framework to analyse the complex interrelationships among cultural industries. This focus on a regional economy of transcultural production provides an important corrective to the limitations of previous studies that consider cultural products as text and use them to investigate the ""meaning"" of popular culture.
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