Formlose Möbel Formless furniture
著者
書誌事項
Formlose Möbel = Formless furniture
Hatje Cantz, c2008
- タイトル別名
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Formless furniture
大学図書館所蔵 全1件
注記
German and English
Catalog of an exhibition held at the MAK, Österreichisches Museum für Angewandte Kunst, Vienna, Austria, May 28-October 26, 2008
Includes bibliographical references
内容説明・目次
内容説明
In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century--from Robert Dean's 1967 Sea Urchin chair to today's computer-assisted blobjects.
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