The Routledge reader on the sociology of music
著者
書誌事項
The Routledge reader on the sociology of music
Routledge, 2015
- : pbk
- : hbk
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.
目次
Introduction: Music and the Sociological Imagination - Pasts and Prospects John Shepherd and Kyle Devine Part I. Source Readings: Forerunners and Founding Figures 1. The Origin and Function of Music Herbert Spencer 2. Psychological and Ethnological Studies on Music Georg Simmel 3. Rational and Social Foundations of Music Max Weber 4. Musical Taste and How It Is Formed John H. Mueller 5. Making Music Together: A Study in Social Relationship Alfred Schutz 6. Sociology of Music Theodor Adorno Part II: Approaches, Sites and Debates A) The Music Itself 7. Music as Social Meaning Susan McClary 8. Music, the Body and Signifying Practice John Shepherd 9. Music and the Sociological Gaze Peter Martin B) Creation 10. Ethnography and Interaction David Grazian 11. Performance Perspectives Lisa McCormick 12. Production Perspectives Marco Santoro C) Consumption 13. Identity: Music, Community and Self Andy Bennett 14. Taste as Distinction Richard Peterson 15. Taste as Performance Antoine Hennion Part III. Politics, Social Issues and Musical Cultures 16. Resistance and Social Movements Eric Drott 17. Gender and Sexuality Marion Leonard 18. Race and Hip Hop Antony Kwame Harrison 19. World Music and Cultural Globalization: Pop-Rock and Musical Cosmopolitanism Motti Regev 20. Music Criticism and Taste Cultures Morton Michelsen 21. Art Music and Social Class William Weber 22. Cityscapes Sara Cohen 23. The Body and Dance Mary Fogarty Part IV: Industries and Institutions 24. Recorded Music Dave Laing 25. Live Music Simon Frith 26. Cultural Policy and Creative Industries Adam Behr 27. Copyright Lee Marshall Part V: Technology and Mediation 28. Instruments and Innovation Trevor Pinch and Karin Bijsterveld 29. Radio Christina Baade 30. Music and the Moving Image: A Case Study of Hans Zimmer Benjamin Wright 31. Digitalization Paul Theberge Part VI: New Directions 32. After Adorno Tia DeNora 33. Bourdieu and Beyond Nick Prior 34. Mediation Theory Georgina Born 35. From Signification to Affect Jeremy Gilbert List of Contributors
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