Modernism and landscape architecture, 1890-1940
Author(s)
Bibliographic Information
Modernism and landscape architecture, 1890-1940
(Studies in the history of art, 78 . Symposium papers / Center for Advanced Study in the Visual arts ; 55)
National Gallery of Art , Distributed by Yale University Press, c2015
Available at 9 libraries
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  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
  Switzerland
  France
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Note
Proceedings of the symposium held in Washington, Mar. 7-8, 2008, and in Hannover, Oct. 16-18, 2008
Includes index
Description and Table of Contents
Description
In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations-to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals-in response to challenges posed by rapid change. The twelve essays included in this exceptional volume grapple with the definition and significance of modernism in landscape design during this transformative era.
An international roster of leading landscape historians discuss established and less recognized designers, such as Maria Teresa Parpagliolo, who sought to define the modern Italian garden, or Benito Javier Carrasco, who made recreational green space a public amenity in Buenos Aires. Examining gardens and landscapes of all scales and purposes, from private villa gardens to civic spaces, these essays contribute original insight and rigorous research to the growing field of landscape studies.
Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press
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