Reading comics : language, culture, and the concept of the superhero in comic books
著者
書誌事項
Reading comics : language, culture, and the concept of the superhero in comic books
(Studies in American popular history and culture)
Routledge, 2014, c2000
- : pbk
大学図書館所蔵 全2件
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  東京
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  新潟
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  京都
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  奈良
  和歌山
  鳥取
  島根
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  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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  フランス
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注記
Includes bibliographical references and index
Originally published: Garland Pub. , 2000
"First issued in paperback 2014"--T.p. verso
内容説明・目次
内容説明
This study explores how the definition of the medium, as well as its language, readership, genre conventions, and marketing and distribution strategies, have kept comic books within the realm of popular culture. Since comics have been studied mostly in relation to mass media and its influence on society, there is a void in the analysis of the critical issues related to comics as a distinct genre and art form. By focusing on comics as narratives and investigating their formal and structural aspects, as well as the unique reading process they demand, this study presents a unique contribution to the current literature on comics, and helps clarify concepts and definitions useful in studying the medium. (Ph.D. dissertation, University of Alberta, 1995; revised with new preface, bibliography, and index)
目次
- Acknowledgments
- Introduction
- Chapter 1: Comics and Cultural Studies: Sites for Struggle
- Chapter 2: Responses to Comicbooks and the Concept of the Popular
- Chapter 3: On the Language of Comics and the Reading Process
- Chapter 4: Superhero Comicbooks
- Chapter 5: Factors that Changed Superhero Comicbooks
- Chapter 6: Frank Miller's The Dark Knights Returns (1986)
- Chapter 7: A Glimpse at the Comics Scene after 1986
- Index
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