Imitation and creativity in Japanese arts from Kishida Ryusei to Miyazaki Hayao
Author(s)
Bibliographic Information
Imitation and creativity in Japanese arts from Kishida Ryusei to Miyazaki Hayao
(Asia perspectives : history, society, and culture)
Columbia University Press, 2016
- : cloth
Available at 21 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Contents of Works
- A historical construction. Copycat Japan
- The West and the invention of creation
- The denial, rejection, and sublimation of imitation
- No poaching
- Seen from Japan
- The logic of reflection in Nakai Masakazu
- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work?
- Kurosawa Akira's Ikiru, or, the impossibility of metaphor
- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones
- Miyazaki Hayao's Spirited away, or, the adventure of the obliques
- Conclusion