Routledge international handbook of the sociology of art and culture
Author(s)
Bibliographic Information
Routledge international handbook of the sociology of art and culture
(Routledge international handbooks)
Routledge, 2018, c2016
- : pbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially - though not exclusively - on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu's influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge 'relational' research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.
Table of Contents
1. Preface - The Handbook 2. Contemporary Challenges for the Sociology of Art and Culture: An Introductory Essay, Laurie Hanquinet and Mike Savage Part 1: Bourdieu's Legacy and New Perspectives for the Sociology of Art and Culture 3. Introduction to Part One 4. The Sociology of Cultural Participation In France 30 Years After 'Distinction,' Phillipe Coulangeon 5. A Post-Bourdieusian Sociology of Valuation and Evaluation for the Field of Cultural Production, Stefan Beljean, Phillipa Chong, and Michele Lamont 6. Contesting Culture: Bourdieu & the strong program in cultural sociology, Marco Santoro and Marco Solaroli 7. The Cultural Omnivore Thesis: Methodological aspects of the debate, Irmak Karademir Hazir and Alan Warde 8. After Omnivorousness: Is Bourdieu still relevant?, Omar Lizardo and Sara Skiles 9. A Critique of the Omnivore. From the origin of the idea of omnivorousness to the Latin American experience, Modesto Gayo 10. Age-Period-Cohort and Cultural Engagement, Aaron Reeve 11. A Social Aesthetics as a General Cultural Sociology?, John Levi Martin and Ben Merriman 12. Genre: Relational approaches to the sociology of music, Jennifer C. Lena 13. Networks and Culture, Alix Rule and Peter Bearman 14. Getting Beyond the Surface. Using geometric data analysis in cultural sociology., Henk Roose Part 2: The Fabric of Aesthetics 15. Introduction to Part Two 16. From Sociology of Culture to Sociology of Artistic Producers: How to Become a Contemporary Artist, Nathalie Heinich 17. Avant-garde Artworks, Artists and Mediators. A State of Relationships, Nuria Peist 18. Learning How to Think, and Feel, About Contemporary Art: An object relational aesthetic for sociology, Sophia Krys Acord 19. Museum Sociology, Volker Kirchberg 20. Adjusting Field Theory: The dynamics of settler-colonial art fields, Tony Bennett 21. The World Market of Translation in the Globalization Era: Symbolic Capital and Cultural Diversity in the Publishing Field, Gisele Sapiro 22. The Biennalization of Art Worlds: the Culture of Cultural Events, Monica Sassatelli 23. Aesthetic Capital, Sylvia Holla and Giselinde Kuipers Part 3: The Complexity of Cultural Classifications 24. Introduction to Part Three 25. Cultural Dissonances: the Social in the Singular, Bernard Lahire 26. The Multiplicity of Highbrow Culture: Taste Boundaries Among the New Upper Middle Class, Guy Bellavance 27. 'There's something fundamental about what makes you laugh'. Comedy as an Aesthetic Experience, Sam Friedman 28. Middlebrow Book Culture, David Carter 29. Digital Sociology in the Field of Devices, Adrian Mackenzie, Richard Mills, Stuart Sharples, Matthew Fuller and Andrew Goffey 30. Researching Social Analytics: Cultural Sociology in the Face of Algorithmic Power, Nick Couldry 31. The Rising Power of Screens: Changing Cultural Practices in France, from 1973 to 2008, Olivier Donnat 32. The Structuration of Lifestyle in the City of Porto: A Relational Approach, Virgilio Borges Pereira 33. Contesting the Highbrow and Lowbrow Distinction: How Latin American Scholars Engage in Cross-Cultural Debates, Maria Luisa Mendez 34. When the Artistic Field Meets the Arts Worlds, Chao Zhang 35. Institutionalizing the Neo-Bohemia, Richard Lloyd
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