Stanley Kwan's Center stage

書誌事項

Stanley Kwan's Center stage

Mette Hjort

(The new Hong Kong cinema series)

Hong Kong University Press, c2006

  • : pbk

タイトル別名

Center stage

阮玲玉

大学図書館所蔵 件 / 1

この図書・雑誌をさがす

注記

Filmography: p. [127]-128

Bibliography: p. [129]-135

Includes index

内容説明・目次

内容説明

Hjort argues that Stanley Kwan's contribution in Center Stage is to develop an approach to nonfiction filmmaking that is realist without being naive. The value of the film's reflexive dimension, Hjort shows, has nothing to do with poststructuralist skepticism but with the compelling manifestation of a communicative model that serves as an alternative to hierarchical and authoritarian modes of social organization.

目次

  • 1 On Method, Production, and Reception
  • - Angles and Approaches
  • - Documentary Filmmaking in Hong Kong
  • - The Making of Center Stage
  • - Producers' Decisions, Distributors' Practices
  • - The Constitution of Center Stage as a Classic of the New Hong Kong Cinema
  • 2 Film Style
  • - The Cinematic Image as Historical Trace, Documentary Record, and Interpretive Reconstruction
  • - The Director's Cut and the Shortened Version
  • - Artifice, Reflexivity, and Doubt: Center Stage and the Question of Knowledge
  • 3 Relevance and Meaning
  • - Heritage Culture
  • - Against Gossip: On Hierarchy and Egalitarianism
  • - Lianhua, Kwan, and TVB
  • Notes
  • Credits
  • Awards and Nominations
  • Stanley Kwan's Filmography.

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