The Routledge handbook of museums, media and communication
著者
書誌事項
The Routledge handbook of museums, media and communication
(Routledge international handbooks)
Routledge, 2019
- : hbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground.
Including contributions from experts around the world, this original and innovative Handbook shares a nuanced and precise understanding of media, media concepts and media terminology, rehearsing new locations for writing on museum media and giving voice to new subject alignments. As a whole, the volume breaks new ground by reframing mediated museum communication as a resource for an inclusive understanding of current museum developments.
The Routledge Handbook of Museums, Media and Communication will appeal to both students and scholars, as well as to practitioners involved in the visioning, design and delivery of mediated communication in the museum. It teaches us not just how to study museums, but how to go about being a museum in today's world.
The book is available for free in PDF format as Open Access at www.taylorfrancis.com. It has been made available under a a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
目次
Contents
List of figures
List of tables
List of contributors
Acknowledgements
Volume introduction: MEDIA, MEDIATIZATION AND MUSEUMS: A NEW ENSEMBLE
Section 1: FOUNDATIONS
1.0
Section introduction
1.1
Walk-in media: International exhibitions as media space
1.2
The museum as a media producer: Innovation before the
digital age
1.3
Revisiting the utopian promise of interpretive media:
An autoethnographic analysis drawn from art museums, 1991-2017
1.4
Online collections, curatorial agency and machine-assisted curating
1.5
Visitor and audience research in museums
Section 2: ENVIRONMENTS
2.0
Section introduction
2.1
Rethinking museum/community partnerships: Science and natural history museums and the challenges of communicating climate change
2.2
Mobile media, mobility and mobilisation in the current museum field
2.3
Learning and engagement in museum mediascapes
2.4
The museum as an arena for cultural citizenship: Exploring modes of engagement for audience empowerment
2.5
The museum as a charged space: The duality of digital museum communication
Section 3: PRACTICES
3.0
Section introduction
3.1
From elsewhere to everywhere: Evolving the distributed
museum into the pervasive museum
3.2
Digital media ethics and museum communication
3.3
Complexities of collaborating: Understanding and managing differences in collaborative design of museum communication
3.4
Participation in design and changing practices of museum development
Section 4: VISUAL ESSAY
4.0
Incident(al) Readings
Section 5: DIRECTIONS
5.0
Section introduction
5.1
Smart media: Museums in the new data terroir
5.2
The proliferation of aura: Facsimiles, authenticity and digital objects
5.3
Assets, platforms and affordances: The constitutive role of media in the museum
5.4
Feeling the Exhibition: Design for an Immersive and Sensory Exhibition Experience
5.5
Museums and cultural diversity: A persistent challenge
Index
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