Close to the machine : technophilia and its discontents
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Close to the machine : technophilia and its discontents
Pushkin, 2013
- : pbk
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<p><strong><em>Close to the Machine: Technophilia and Its Discontents</em>, Ellen Ullman's cult classic memoir of the world of computers in the 1980s and early 1990s, is an insight of a world we rarely see up close.</strong></p><p>"Astonishing... impossible to put down"<em>San Francisco Chronicle</em></p><p>"We see the seduction at the heart of programming: embedded in the hijinks and hieroglyphics are the esoteric mysteries of the human mind"<br />— <em>Wired</em></p><p><em>Close to the Machine</em> has become a cult classic: Ellen Ullman's humane, insightful, and beautifully written memoir explores the ever-complicating intersections between people and technology; the strange ecstasies of programming; the messiness of life and the artful efficiency of code. It is a deeply personal, prescient account of working at the forefront of computing.</p><p>With a new introduction by Jaron Lanier, author of <em>You Are Not a Gadget</em></p><p>"By turns hilarious and sobering, this slim gem of a book chronicles the Silicon Valley way of life... full of delicately profound insights into work, money, love, and the search for a life that matters"<br />— <em>Newsweek</em></p><p><b>Ellen Ullman</b>'s <em>Close to the Machine</em>, a memoir of her time as a software engineer during the early years of the internet revolution, became a cult classic and established her as a writer of considerable talent; with her second book, <em>The Bug</em>, she became an acclaimed and vital novelist; <em>By Blood</em> is her third. All three titles are published in the UK by Pushkin Press. Her essays and opinion pieces have been widely published in venues such as <em>Harper's</em>, <em>The New York Times</em>, <em>Salon</em>, and <em>Wired</em>. She lives in San Francisco.</p>
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