Optical illusions in Rome : a mathematical travel guide
Author(s)
Bibliographic Information
Optical illusions in Rome : a mathematical travel guide
(MAA spectrum, v. 99)
MAA Press, an imprint of the American Mathematical Society, c2019
- Other Title
-
Romerske synsbedrag
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Originally published in Danish by the Danish Association of Mathematics Teachers: Romerske synsbedrag (København : Matematiklaererforeningen, 2016)"--CIP
Includes bibliographical references
Description and Table of Contents
Description
Optical Illusions in Rome is a beautifully written and richly illustrated guide that takes the reader on a tour through ingenious uses of geometry to create illusory impressions of space and grandeur in Italian Renaissance art and architecture in the Eternal City. The book takes us to some of the most striking and historically important uses of optical illusion and includes works of Peruzzi, Borromini, and Pozzo. The artworks are analyzed geometrically and placed in their historical context. The notes on visiting the art described make the volume the perfect companion for a study trip to Rome. A chapter on the principles of perspective geometry and a collection of exercises make the book a wonderful resource for a module on perspective in a geometry or art history course. The mathematical discussion is kept at a level accessible to a reader with a familiarity with high school geometry.
Kirsti Andersen is a distinguished historian of mathematics and emerita faculty at Aarhus University. Her previous book, The Geometry of an Art, is widely recognized as the definitive work on the history of the use of perspective in European art. Viktor Blasjo, the translator, is a historian of mathematics on the faculty at Utrecht University. Blasjo has won both the Ford and Polya prizes for expository writing from the Mathematical Association of America.
Table of Contents
Introduction
Trompe l'oeil on walls
Three-dimensional trompe l'oeil
The anamorphosis in Trinita dei Monti
Ceilings as image surfaces
Some results from perspective theory
Exercises
Notes for the traveller
Endnotes
Bibliography
Sources of the illustrations.
by "Nielsen BookData"