Renaissance drama : new series

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Renaissance drama : new series

Northwestern Univ. Press, 1968-

  • 32
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  • 38
  • 39

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注記

Editor: 1956-1976, S. Schoenbaum. -- 1977-1985, Leonard Barkan. -- 1985-1999, Mary Beth Rose. -- 1999-, Jeffrey Masten and Wendy Wall

PUB: 1986-, Northwestern University Press and the Newberry Library Center for Renaissance Studies

内容説明・目次

巻冊次

32 ISBN 9780810119567

内容説明

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
巻冊次

33 ISBN 9780810121997

内容説明

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.

目次

  • Acts of Silence, Acts of Speech: How to Do Things with Othelio and Desdemona, by Harry Berger, Jr.
  • The Social Logic of Ben Jonson's Epicoene, by Adam Zucker
  • Performatives and Performativity: Ben Jonson Makes His Excuses, by James Loxley
  • Livery and its Discontents: ""Braving it"" in The Taming of the Shrew, by Amanda Bailey
  • See What Breeds About Her Heart...King Lear, Feminism and Performance, by Philippa Kelly
  • Shakespeare's Empty Plot: The Epicenotaph in Timon of Athens, by Robert Darcy
  • Marston, Collaboration, and Eastward Ho!, by Suzanne Gossett
  • Barbers and Barbary: Early Modern Cultural Semantics, by Patricia Parker
巻冊次

38 ISBN 9780810126985

内容説明

Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore the traditional canon of drama, the significance of performance, broadly construed, to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. Volume 38 includes essays that explore topics in early modern drama ranging from Shakespeare’s Jewish questions in The Merchant of Venice and the gender of rhetoric in Shakespeare’s sonnets and Jonson’s plays to improvisation in the commedia dell’arte and the rebirth of tragedy in 1940 Germany.
巻冊次

39 ISBN 9780810127388

内容説明

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre and performance.

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詳細情報

  • NII書誌ID(NCID)
    BA04734917
  • ISBN
    • 0810119560
    • 0810121999
    • 9780810126985
    • 9780810127388
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Evanston
  • ページ数/冊数
    v.
  • 大きさ
    24 cm
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