Italy in the drama of Europe
著者
書誌事項
Italy in the drama of Europe
（Renaissance drama : new series, 36/37）
Northwestern University Press, 2010
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注記
Includes bibliographical references
内容説明・目次
内容説明
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of ""Renaissance Drama"" on ""Italy in the Drama of Europe"" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. ""Italy in the Drama of Europe"" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
目次
- "Looking Back on Shakespeare and Italian Theater" by Louise George Clubb
- "Perspective and Stage Design, Fiction and Reality in the Italian Renaissance Theatre of the XV Century" by Fabio Finotti
- "Performing Anachronism: A New Aetiology of Italian Renaissance Tragedy" by Kristin Phillips-Court
- "Etruria Triumphant in Rome: Fables of Medici Rule and Bibbiena's Calandra" by Ronald L. Martinez
- " 'Ma che potra succedermi se io donna amo una Donna': Female-Female Desire in Italian Renaissance Comedy" by Laura Giannetti
- "Performance as Profanation: Holy Tongue and Comic Stage in Tsahut bedihuta deqiddushin" by Yair Lipshitz
- "Sincerity, Fraud, and Audience Reception in the Performance of Early Modern Poverty" by Robert Henke
- " 'Che indizio, che prova...?' Ariosto's legal conjectures and the English Renaissance stage" by Lorna Hutson
- " 'Bawdy Doubles': Pietro Aretino's Comedie (1588) and the Appearance of English Drama" by Bianca F.-C. Calabresi
- "Imitating Othello: The Handkerchief, alla italiana" by Jane Tylus
- "Misreading and Misogyny: Ariosto, Spenser, and Shakespeare" by Kasey Evans
- "Wrestling with Orlando: Chivalric Pastoral in Shakespeare's Arden" by Albert Ascoli
- "Coincidence of Opposites: Bruno, Calderon, and a Drama of Ideas" by Christopher D. Johnson
- "Publish (f)or Paris?: G. B. Andreini in France" by Jon R. Snyder
- "Italy Versus France, or, How Pierre Corneille Became an Anti-Machiavel" by Katherine Ibbett.
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