The Oxford dictionary of opera
Author(s)
Bibliographic Information
The Oxford dictionary of opera
Oxford University Press, 1992
Available at / 45 libraries
-
No Libraries matched.
- Remove all filters.
Note
Includes bibliographical references
Description and Table of Contents
Description
Opera has achieved a breadth of appeal unprecedented in its history, commanding the patronage of the wealthy but also a popular following, generating well-filled opera houses, as well as spectacular mass events, public television relays of famous occasions, and huge record sales. "The Oxford Dictionary of Opera" is a comprehensive one-volume reference work on the subject. The entries include composers, individual operas, well-known arias and principal characters; singers, conductors, producers and designers; technical terms; librettists, and authors of works and the popular subjects on which operas have been based; opera companies, opera-houses and festivals; and countries and cities in which opera has been staged. The information provided includes opera synopses and first performance details, worklists of composers and listings of their writings and catalogues; bibliographies of works about opera; debuts and career highlights of singers, with notes on voice type, style, and reputation; definitions and discussions of technical terms and operatic styles; historical surveys of the history of opera in one country.
The text is linked by a network of cross-references and is written in a style accessible to the non-specialist. The work has its roots in the earlier "Concise Oxford Dictionary of Opera" (2/E, 1979 by John Warrack and Harold Rosenthal), drawing on the same basic framework though the overall extent is considerably larger, the coverage wider, and the information more up to date. A few entries have been taken over from the COD Opera without change while some others have been used but expanded and updated.
Table of Contents
Preface, Bibliography, Key to Vocal Compasses, Abbreviations, A-Z entries
by "Nielsen BookData"