Popular fiction by women, 1660-1730 : an anthology
著者
書誌事項
Popular fiction by women, 1660-1730 : an anthology
Clarendon Press, 1996
- : pbk
大学図書館所蔵 件 / 全17件
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注記
Includes bibliographical references
収録内容
- The history of the nun / Aphra Behn
- The secret history of Queen Zarah and the Zarazians / Delarivière Manley
- Love intrigues / Jane Barker
- The strange aadventures of the Count de Vinevil and his family / Penelope Aubin
- The British recluse / Eliza Haywood
- Fantomina / Eliza Haywood
- The reformed coquet / Mary Davys
- Friendship in death : selections / Elizabeth Singer Rowe
内容説明・目次
- 巻冊次
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ISBN 9780198711360
内容説明
This is a collection of novels by women writers in the period 1660-1730. Work by the major writers of the period is included - Aphra Behn, Mary de la Riviere Manley, Jane Barker, Eliza Haywood, Mary Davys, and Elizabeth Singer Rower. In a variety of styles, these novels provide a sampling of the kinds of stories that are still read today. These include romance, hardship overcome, seduction, rape, kidnapping, murder, political intrigue, and comic revenge. Between them, they help to fill out the early history of the English novel - as these women joined Daniel Defoe in being the most popular and successful novelists before Samuel Richardson.
- 巻冊次
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: pbk ISBN 9780198711377
内容説明
Popular Fiction by Women 1660-1730 gathers together for the first time a representative selection of shorter fiction by the most successful women writers of the period, from Aphra Behn, the first important English female professional writer, to Penelope Aubin and Eliza Haywood, who with Daniel Defoe dominated prose fiction in the 1720s. The texts included were amongst the best-selling titles of their time, and played a key role in the expanding market for
narrative in the early eighteenth century. Crucial to the development of the longer novel of manners and morals that emerged in the mid-eighteenth century, these novellas have been neglected by literary historians, but now - with the impetus of feminist criticism - they have been re-established as an
essential chapter in the history of the novel in English and are widely studied. Though strikingly varied in narrative format and purpose, ranging as they do from the errotic and sensational to the sentimental and pious, they offer a distinct fictional approach to the moral and social issues of the age from a female standpoint.
Not only are these novels still a good read for those who enjoy fiction, but they are also essential to the understanding of the hostory of the English novel. The anthology raises a number of questions for readers and scholars alike: do these fictions constitute a counter-tradition or a rival and competing set of narrative choices to the male novel of the mid-eighteenth century? The diveristy of these stories, their affinities with the mainstream in some cases and their clear divergence from
it in others, illuminates the very complexity of the issue. Yet, whatever the answer the reader settles on and whatever critical perspective one brings to reading this fiction, one thing is clear: fiction by women is an important part of the literary history of the eighteenth century.
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