Popular music & society
著者
書誌事項
Popular music & society
Polity, 2014
3rd ed
- : pbk
- タイトル別名
-
Popular music and society
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Previous ed.: 2007
Includes bibliographical references (p. 277-295) and index
内容説明・目次
内容説明
The third edition of Popular Music and Society is fully revised and updated, deftly exploring the study of popular music in the context of wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area. The book begins by examining the ways in which popular music is produced, before moving on to explore its structure as text and the ways in which audiences understand and use music. Packed with up-to-date examples and data on the contemporary production and consumption of popular music, the book includes overviews and critiques of theoretical approaches to this exciting area of study and outlines the most important empirical studies which have shaped the discipline. Topics covered include:
The contemporary organization of the music industry
The effects of technological change on production
The history and politics of popular music
Gender, sexuality and ethnicity
Subcultures
Fans and music celebrities
This new edition adds sections on the impact of digital media on popular music production and consumption and incorporates original ethnographic research on musicianship and musical practices. It will continue to be required reading for students of the sociology of culture, media and communication studies, and popular culture.
目次
Contents
List of Figures
List of Tables
List of Boxes
Acknowledgements
Preface
Introduction: Constraints and Creativity -- Arguments and Framework
Part I Production
1 The Pop Music Industry
2 The Social Production of Music
Part II Text
3 History, Politics and Sexuality
4 'Black' Music: Genres and Social Constructions
5 Texts and Meaning
6 Performance, Dance, Distinction and the Body
Part III Audience
7 Effects, Audiences and Subcultures
8 Fans, Production and Consumption
9 Beyond Subcultures and Fans: New Audiences, Scenes and Everyday Life
Conclusion
Further Reading
References
「Nielsen BookData」 より